Xuan-Yuan Sword VII is an ARPG presented in a third-person perspective. The plot is rooted in Chinese history and mythology. Players take on the role of Taishi Zhao, a calm and reliable swordsman who was involved in a tragic fate. To protect his beloved family, Taishi Zhao starts a journey in this chaotic realm to find the truth.
The game will be released in 2020, on Steam and PS4.
Steam：https://store.steampowered.com/app/1249800
Bring players back to the ancient oriental realm
A new journey in the chaotic era
Xuan-Yuan Sword VII takes place in the last of the Western Han Dynasty ( about 2000 years ago). The development team will bring back the ancient China environments, props, humanities, and cultural studies into gameplay.
Real-time Combat
Taishi Zhao will encounter the usurper’s force and the mysterious clan with their unique Mechanics tech, and overcome the various evils hidden within his journey.
To breath life into the soundtrack in Xuan-Yuan Sword VII. The symphony orchestra and traditional Chinese instruments are combined for the first time in the Xuan-Yuan Sword mythology. Recreating the music to bring players back to the magnificent Chinese land 2000 years ago.
Mohists and their “Mechanics”
Mohism, an ancient Chinese philosophy of logic, rational thought, and science, was once as popular as Confucianism in China 2200 years ago. In this game, the Mohists are known for their high level “Mechanic” technology far beyond the times. However, civil disagreements are challenging their faith, making them fall apart in decades. Can the Mohists revive to their former glory or fade in the pages of history? In Xuan-Yuan Sword VII, witness the final destiny of the Mohists.
Regarding Xuan-Yuan Sword
Xuan-Yuan Sword is one of the most popular RPG series in Chinese-speaking regions, developed by SOFTSTAR, Domo studio in Taipei. Xuan-Yuan Sword franchise has had 30 years history with 12 published titles. Throughout these years, DOMO studio had rolled up its sleeves in adopting successful expansion into the global market.
